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課程名稱 |
美國小說中的爵士年代與種族政治
Jazz Age and Racial Politics in American Novels |
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開課學期 |
101-2 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
劉亮雅 |
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課號 |
FL7237 |
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課程識別碼 |
122 M8290 |
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班次 |
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學分 |
1 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
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上課地點 |
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備註 |
初選不開放。專題研究課程
限碩士班以上
總人數上限：1人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
This course deals with the portrayals of jazz and jazz age in the novels of F. Scott Fitzgerald, Ernest Hemingway, and Toni Morrison in relation to the racial politics of the 1920s. To familiarize the student with the social-historical background of the Jazz Age to foreground the historical context of the novels, the course will first start with general histories of jazz’s evolvement and race matters in early twentieth century. Then, the focus will fall on the textual critiques concerning and the representation of jazz, jazz age, and racial politics in the novels of Fitzgerald, Hemingway, and Morrison. |
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課程目標 |
This course deals with the portrayals of jazz and jazz age in the novels of F. Scott Fitzgerald, Ernest Hemingway, and Toni Morrison in relation to the racial politics of the 1920s. To familiarize the student with the social-historical background of the Jazz Age to foreground the historical context of the novels, the course will first start with general histories of jazz’s evolvement and race matters in early twentieth century. Then, the focus will fall on the textual critiques concerning and the representation of jazz, jazz age, and racial matters in the novels of Fitzgerald, Hemingway, and Morrison. |
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課程要求 |
Requirements:
Regular assignments and class meetings.
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
Barnes, Deborah H. “Movin’ on up: The Madness of Migration in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York and London: Garland, 2000. 283-95.
Berman, Ronald. “The Great Gatsby and the Twenties.” The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. Cambridge: Cambridge UP, 2002. 79-94.
Blackmore, David. “‘In New York It’d Mean I Was A…’: Masculinity Anxiety and Period Discourses of Sexuality in The Sun Also Rises.” The Hemingway Review 18.1 (1998): 49-67.
Breitwieser, Mitchell. “Jazz Fractures: F. Scott Fitzgerald and Epochal Representation.” American Literary History 12.3 (2000): 359-381.
Brown, Caroline. “Golden Gray and the Talking Book: Identity as a Site of Artful Construction in Toni Morrison’s Jazz.” African American Review 36.4 (2002): 629-642.
Brundage, W. Fitzhugh. “Working in the ‘Kingdom of Culture’: African Americans and American Popular Culture, 1890-1930.” Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930. Ed. W. Fitzhugh Brundage. Chapel Hill: The University of North Carolina Press, 2011.
Chang, Hsiao-ling. Racial and Sexual Others in F. Scottt Fitzgerald’s The Great Gatsby. MA Thesis, NTU, 2003.
Churchwell, Sarah. “‘$4000 A Screw’: The Prostituted Art of F. Scott Fitzgerald and Ernest Hemingway.” European Journal Of American Culture 24.2 (2005): 105-129. Academic Search Complete. Web. 22 Mar. 2012.
Decker, Jeffrey Louis. “Gatsby’s Pristine Dream: The Diminishment of the Self-Made Man in the Tribal Twenties.” NOVEL 28.1 (1994): 52-71.
Djos, Matts. “Alcoholism in Ernest Hemingway’s The Sun Also Rises: A Wine and Roses Perspective on the Lost Generation.” The Hemingway Review 14.2 (1995): 64-78.
Early, Gerald. “The Lives of Jazz.” American Literary History 5.1 (1993): 129-146.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge: Harvard University Press, 2003.
Elliott, Ira. “Performance Art: Jake Barns and ‘Masculine’ Signification in The Sun Also Rises.” American Literature 67.1 (1995): 77-94.
Evans, Nicholas M. “F. Scott Fitzgerald and the Instabilities of Whiteness.” Writing Jazz: Race, Nationalism, and Modern Culture in the 1920s. New York: Garland, 2000. 147-202.
Fanon, Franz. Black Skins, White Masks. 1952. Trans. Richard Philcox. New York: Grove Press, 2008.
Fitzgerald, F. Scott. “Echoes of the Jazz Age.” 1931. The Crack-Up. Ed. Edmund Wilson. NY: New Directions, 1965.
------. The Great Gatsby. 1925. New York: Penguin, 2006.
Forter, Greg. “F. Scott Fitzgerald, Modernist Studies, and the Fin-de-Siècle Crisis in Masculinity.” American Literature 78. 2 (2006): 293-323.
------. Gender, Race, and Mourning in American Modernism. Cambridge, UK; New York: Cambridge University Press, 2011.
Gerber, David A. American Immigration: A Very Short Introduction. New York: Oxford University Press, 2011.
Giddins, Gary and Scott DeVeaux. Jazz. New York: W. W. Norton & Company, 2009.
Gidley, M. “Notes on F. Scott Fitzgerald and the Passing of the Great Race.” Journal of American Studies 7:2 (1973). 171-181.
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.
Goldsmith, Meredith. “White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby.” Modern Fiction Studies 49.3 (2003): 443-68.
Gossett, Thomas F. “Racism in the1920’s.” Race. 1963. New York: Oxford UP, 1997.
Grandit, Jürgen E. “Kinds of Blue: Toni Morrison, Hans Janowitz, and the Jazz Aesthetic.” African American Review 38.2 (2004): 303-322.
Hemingway, Ernest. The Sun Also Rises. 1926. New York: Scribner, 2006.
Holcomb, Gary Edward. “The Sun Also Rises in Queer Black Harlem: Hemingway and McKay’s Modernist Intertext.” Journal of Modern Literature 30.4 (2007): 61-81.
Huggins, Nathan Irvin. “Harlem: Capital of the Black World.” Harlem Renaissance. 1971. New York: Oxford UP, 2007.
Jones, Carolyn M. “Identity and Narrative in Toni Morrison’s Jazz.” African American Review 31.3 (1997): 481-495.
Jordan, Matthew F. “La Revue Nègre, Ethnography, and Cultural Hybridity.” Le Jazz: Jazz and French Cultural Identity. Chicago: University of Illinois Press, 2010. 102-140.
Kaye, Jeremy. “The ‘Whine’ of Jewish Manhood: Re-Reading Hemingway’s Anti-Semitism, Reimagining Robert Cohn.” The Hemingway Review 25.2 (2006): 44-60.
Lesoinne, Veronique. “Answer Jazz’s Call: Experiencing Toni Morrison’s Jazz.” MELUS 22.3 (1997): 151-66.
Liao, Li-ya. From Rupture to Reconnection: Migration, Memory, and Culture in Toni Morrison’s Jazz. MA Thesis, NTU, 2003.
Manning, Patrick. The African Diaspora: A History through Culture. New York: Columbia University Press, 2009.
Morrison, Toni. “Rootedness: The Ancestor as Foundation.” Black Women Writers (1950-1980): A Critical Evaluation. Ed. Mare Evans. Garden City, New York: Anchor Press, 1984. 339-345.
------. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge; MA: Harvard University Press, 1992.
------. Jazz. 1992. New York: Vintage, 2004.
Newton-Matza, Mitchell, ed. Jazz Age: People and Perspectives. Santa Barbara, California: ABC-CLIO, 2009.
Nies, Betsy L. “Hemingway, Eugenic Terror, and the ‘Newest New Women’.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 45-66.
------. “Fitzgerald, Nordicism, and Racial Nostalgia.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 87-109.
Ogren, Kathy J. The Jazz Revolution: Twenties American and the Meaning of Jazz. New York: Oxford UP, 1989.
Onderdonk, Todd. “‘Bitched’: Feminization, Identity, and the Hemingwayesque in The Sun Also Rises.” Twentieth Century Literature 52.1 (2006): 61-91.
------. I, Modernist: Male Feminization and the Self-Construction of Authorship in the Modern American Novel. The University of Texas at Austin, 2005. Texas: ProQuest Dissertations & Theses A&I. Web. 20 Mar. 2012.
O’Reilly, Andrea. “In Search of My Mother's Garden, I Found My Own: Mother-Love, Healing, and Identity in Toni Morrison’s Jazz.” African American Review, 30.3 (1996): 367-379.
Paquet-Deyris, Anne-Marie. “Toni Morrison’s Jazz and the City.” African American Review 35.2 (2001): 219-231.
Peach, Linden. “The 1990s: Jazz (1992) and Paradise (1998).” Toni Morrison. 2nd ed. New York: Macmillan Press, 2000. 126-153.
Peretti, Burton W. The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana and Chicago: University of Illinois Press, 1992.
Pici, Nicholas F. “Trading Meanings: The Breath of Music in Toni Morrison’s Jazz.” Connotations 7.3 (1997): 372-398.
Reynolds, Michael S. “The Sun in Its Time: Recovering the Historical Context.” New Essays on The Sun Also Rises. Ed. Linda Wagner-Martin. Cambridge: Cambridge UP, 1987.43-64.
Schmidt Sr., Ronald, Yvette M. Alex-Assensoh, Andrew L. Aoki, and Rodney E. Hero. Newcomers, Outsiders, and Insiders: Immigrants and American Racial Politics in the Early Twenty-first Century. The University of Michigan Press, 2010.
Schreiber, Evelyn Jaffe. “Searching for Safety: the Persistence of Slave Trauma in Jazz and Tar Baby.” Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press, 2010.
Shack, William A. Harlem in the Montmartre: A Paris Jazz Story between The Great Wars. Berkeley: University of California Press, 2001.
Slater, Peter Gregg. “Ethnicity in The Great Gatsby.” Twentieth Century Literature 19.1 (1973): 53-62.
Stave, Shirley Ann. “Jazz and Paradise: Pivotal Moments in Black History.” Ed. Justine Tally. The Cambridge Companion to Toni Morrison. Cambridge University Press, 2007. 59-74.
Svoboda, Frederic J. “Who Was That Black Man?: A Note on Eugene Bullard and The Sun Also Rises.” The Hemingway Review 17.2 (1998): 105-110.
Thernstrom, Stephan and Abigail Thernstrom. America in Black and White: One Nation, Indivisible. New York: Simon & Schuster, 1997.
Traber, Daniel S. “One of None: Quasi-Hybridity in The Sun Also Rises.” Whiteness, Otherness, and the Individualism Paradox from Huck to Punk. New York: Palgrave Macmillan, 2007. 61-84.
Werner, Craig. “Jazz: Morrison and the Music of Tradition.” Approaches to Teaching the Novels of Toni Morrison. Eds. Neillie Y. Mckay and Kathryn Earle. New York: The Modern Language Association of America, 1997. 86-92.
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參考書目 |
Barnes, Deborah H. “Movin’ on up: The Madness of Migration in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York and London: Garland, 2000. 283-95.
Berman, Ronald. “The Great Gatsby and the Twenties.” The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. Cambridge: Cambridge UP, 2002. 79-94.
Blackmore, David. “‘In New York It’d Mean I Was A…’: Masculinity Anxiety and Period Discourses of Sexuality in The Sun Also Rises.” The Hemingway Review 18.1 (1998): 49-67.
Breitwieser, Mitchell. “Jazz Fractures: F. Scott Fitzgerald and Epochal Representation.” American Literary History 12.3 (2000): 359-381.
Brown, Caroline. “Golden Gray and the Talking Book: Identity as a Site of Artful Construction in Toni Morrison’s Jazz.” African American Review 36.4 (2002): 629-642.
Brundage, W. Fitzhugh. “Working in the ‘Kingdom of Culture’: African Americans and American Popular Culture, 1890-1930.” Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930. Ed. W. Fitzhugh Brundage. Chapel Hill: The University of North Carolina Press, 2011.
Chang, Hsiao-ling. Racial and Sexual Others in F. Scottt Fitzgerald’s The Great Gatsby. MA Thesis, NTU, 2003.
Churchwell, Sarah. “‘$4000 A Screw’: The Prostituted Art of F. Scott Fitzgerald and Ernest Hemingway.” European Journal Of American Culture 24.2 (2005): 105-129. Academic Search Complete. Web. 22 Mar. 2012.
Decker, Jeffrey Louis. “Gatsby’s Pristine Dream: The Diminishment of the Self-Made Man in the Tribal Twenties.” NOVEL 28.1 (1994): 52-71.
Djos, Matts. “Alcoholism in Ernest Hemingway’s The Sun Also Rises: A Wine and Roses Perspective on the Lost Generation.” The Hemingway Review 14.2 (1995): 64-78.
Early, Gerald. “The Lives of Jazz.” American Literary History 5.1 (1993): 129-146.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge: Harvard University Press, 2003.
Elliott, Ira. “Performance Art: Jake Barns and ‘Masculine’ Signification in The Sun Also Rises.” American Literature 67.1 (1995): 77-94.
Evans, Nicholas M. “F. Scott Fitzgerald and the Instabilities of Whiteness.” Writing Jazz: Race, Nationalism, and Modern Culture in the 1920s. New York: Garland, 2000. 147-202.
Fanon, Franz. Black Skins, White Masks. 1952. Trans. Richard Philcox. New York: Grove Press, 2008.
Fitzgerald, F. Scott. “Echoes of the Jazz Age.” 1931. The Crack-Up. Ed. Edmund Wilson. NY: New Directions, 1965.
------. The Great Gatsby. 1925. New York: Penguin, 2006.
Forter, Greg. “F. Scott Fitzgerald, Modernist Studies, and the Fin-de-Siècle Crisis in Masculinity.” American Literature 78. 2 (2006): 293-323.
------. Gender, Race, and Mourning in American Modernism. Cambridge, UK; New York: Cambridge University Press, 2011.
Gerber, David A. American Immigration: A Very Short Introduction. New York: Oxford University Press, 2011.
Giddins, Gary and Scott DeVeaux. Jazz. New York: W. W. Norton & Company, 2009.
Gidley, M. “Notes on F. Scott Fitzgerald and the Passing of the Great Race.” Journal of American Studies 7:2 (1973). 171-181.
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.
Goldsmith, Meredith. “White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby.” Modern Fiction Studies 49.3 (2003): 443-68.
Gossett, Thomas F. “Racism in the1920’s.” Race. 1963. New York: Oxford UP, 1997.
Grandit, Jürgen E. “Kinds of Blue: Toni Morrison, Hans Janowitz, and the Jazz Aesthetic.” African American Review 38.2 (2004): 303-322.
Hemingway, Ernest. The Sun Also Rises. 1926. New York: Scribner, 2006.
Holcomb, Gary Edward. “The Sun Also Rises in Queer Black Harlem: Hemingway and McKay’s Modernist Intertext.” Journal of Modern Literature 30.4 (2007): 61-81.
Huggins, Nathan Irvin. “Harlem: Capital of the Black World.” Harlem Renaissance. 1971. New York: Oxford UP, 2007.
Jones, Carolyn M. “Identity and Narrative in Toni Morrison’s Jazz.” African American Review 31.3 (1997): 481-495.
Jordan, Matthew F. “La Revue Nègre, Ethnography, and Cultural Hybridity.” Le Jazz: Jazz and French Cultural Identity. Chicago: University of Illinois Press, 2010. 102-140.
Kaye, Jeremy. “The ‘Whine’ of Jewish Manhood: Re-Reading Hemingway’s Anti-Semitism, Reimagining Robert Cohn.” The Hemingway Review 25.2 (2006): 44-60.
Lesoinne, Veronique. “Answer Jazz’s Call: Experiencing Toni Morrison’s Jazz.” MELUS 22.3 (1997): 151-66.
Liao, Li-ya. From Rupture to Reconnection: Migration, Memory, and Culture in Toni Morrison’s Jazz. MA Thesis, NTU, 2003.
Manning, Patrick. The African Diaspora: A History through Culture. New York: Columbia University Press, 2009.
Morrison, Toni. “Rootedness: The Ancestor as Foundation.” Black Women Writers (1950-1980): A Critical Evaluation. Ed. Mare Evans. Garden City, New York: Anchor Press, 1984. 339-345.
------. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge; MA: Harvard University Press, 1992.
------. Jazz. 1992. New York: Vintage, 2004.
Newton-Matza, Mitchell, ed. Jazz Age: People and Perspectives. Santa Barbara, California: ABC-CLIO, 2009.
Nies, Betsy L. “Hemingway, Eugenic Terror, and the ‘Newest New Women’.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 45-66.
------. “Fitzgerald, Nordicism, and Racial Nostalgia.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 87-109.
Ogren, Kathy J. The Jazz Revolution: Twenties American and the Meaning of Jazz. New York: Oxford UP, 1989.
Onderdonk, Todd. “‘Bitched’: Feminization, Identity, and the Hemingwayesque in The Sun Also Rises.” Twentieth Century Literature 52.1 (2006): 61-91.
------. I, Modernist: Male Feminization and the Self-Construction of Authorship in the Modern American Novel. The University of Texas at Austin, 2005. Texas: ProQuest Dissertations & Theses A&I. Web. 20 Mar. 2012.
O’Reilly, Andrea. “In Search of My Mother's Garden, I Found My Own: Mother-Love, Healing, and Identity in Toni Morrison’s Jazz.” African American Review, 30.3 (1996): 367-379.
Paquet-Deyris, Anne-Marie. “Toni Morrison’s Jazz and the City.” African American Review 35.2 (2001): 219-231.
Peach, Linden. “The 1990s: Jazz (1992) and Paradise (1998).” Toni Morrison. 2nd ed. New York: Macmillan Press, 2000. 126-153.
Peretti, Burton W. The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana and Chicago: University of Illinois Press, 1992.
Pici, Nicholas F. “Trading Meanings: The Breath of Music in Toni Morrison’s Jazz.” Connotations 7.3 (1997): 372-398.
Reynolds, Michael S. “The Sun in Its Time: Recovering the Historical Context.” New Essays on The Sun Also Rises. Ed. Linda Wagner-Martin. Cambridge: Cambridge UP, 1987.43-64.
Schmidt Sr., Ronald, Yvette M. Alex-Assensoh, Andrew L. Aoki, and Rodney E. Hero. Newcomers, Outsiders, and Insiders: Immigrants and American Racial Politics in the Early Twenty-first Century. The University of Michigan Press, 2010.
Schreiber, Evelyn Jaffe. “Searching for Safety: the Persistence of Slave Trauma in Jazz and Tar Baby.” Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press, 2010.
Shack, William A. Harlem in the Montmartre: A Paris Jazz Story between The Great Wars. Berkeley: University of California Press, 2001.
Slater, Peter Gregg. “Ethnicity in The Great Gatsby.” Twentieth Century Literature 19.1 (1973): 53-62.
Stave, Shirley Ann. “Jazz and Paradise: Pivotal Moments in Black History.” Ed. Justine Tally. The Cambridge Companion to Toni Morrison. Cambridge University Press, 2007. 59-74.
Svoboda, Frederic J. “Who Was That Black Man?: A Note on Eugene Bullard and The Sun Also Rises.” The Hemingway Review 17.2 (1998): 105-110.
Thernstrom, Stephan and Abigail Thernstrom. America in Black and White: One Nation, Indivisible. New York: Simon & Schuster, 1997.
Traber, Daniel S. “One of None: Quasi-Hybridity in The Sun Also Rises.” Whiteness, Otherness, and the Individualism Paradox from Huck to Punk. New York: Palgrave Macmillan, 2007. 61-84.
Werner, Craig. “Jazz: Morrison and the Music of Tradition.” Approaches to Teaching the Novels of Toni Morrison. Eds. Neillie Y. Mckay and Kathryn Earle. New York: The Modern Language Association of America, 1997. 86-92.
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評量方式
(僅供參考) |
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週次 |
日期 |
單元主題 |
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第1週 |
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Giddins, Gary and Scott DeVeaux. Jazz. New York: W. W. Norton & Company, 2009.
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.
Early, Gerald. “The Lives of Jazz.” American Literary History 5.1 (1993): 129-146.
|
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第2週 |
|
Peretti, Burton W. The Creation of Jazz: Music, Race, and Culture in Urban America. Urbana and Chicago: University of Illinois Press, 1992.
Ogren, Kathy J. The Jazz Revolution: Twenties American and the Meaning of Jazz. New York: Oxford UP, 1989.
|
|
第3週 |
|
Brundage, W. Fitzhugh. “Working in the ‘Kingdom of Culture’: African Americans and American Popular Culture, 1890-1930.” Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890-1930. Ed. W. Fitzhugh Brundage. Chapel Hill: The University of North Carolina Press, 2011.
Jordan, Matthew F. “La Revue Nègre, Ethnography, and Cultural Hybridity.” Le Jazz: Jazz and French Cultural Identity. Chicago: University of Illinois Press, 2010. 102-140.
Shack, William A. Harlem in the Montmartre: A Paris Jazz Story between The Great Wars. Berkeley: University of California Press, 2001.
|
|
第4週 |
|
Newton-Matza, Mitchell, ed. Jazz Age: People and Perspectives. Santa Barbara, California: ABC-CLIO, 2009.
Fitzgerald, F. Scott. “Echoes of the Jazz Age.” 1931. The Crack-Up. Ed. Edmund Wilson. NY: New Directions, 1965.
Huggins, Nathan Irvin. “Harlem: Capital of the Black World.” Harlem Renaissance. 1971. New York: Oxford UP, 2007.
Manning, Patrick. The African Diaspora: A History through Culture. New York: Columbia University Press, 2009.
|
|
第5週 |
|
Gossett, Thomas F. “Racism in the1920’s.” Race. 1963. New York: Oxford UP, 1997.
Schmidt Sr., Ronald, Yvette M. Alex-Assensoh, Andrew L. Aoki, and Rodney E. Hero. Newcomers, Outsiders, and Insiders: Immigrants and American Racial Politics in the Early Twenty-first Century. The University of Michigan Press, 2010.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge: Harvard University Press, 2003.
|
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第6週 |
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Gerber, David A. American Immigration: A Very Short Introduction. New York: Oxford University Press, 2011.
Fanon, Franz. Black Skins, White Masks. 1952. Trans. Richard Philcox. New York: Grove Press, 2008.
|
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第7週 |
|
Berman, Ronald. “The Great Gatsby and the Twenties.” The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. Cambridge: Cambridge UP, 2002. 79-94.
Breitwieser, Mitchell. “Jazz Fractures: F. Scott Fitzgerald and Epochal Representation.” American Literary History 12.3 (2000): 359-381.
Decker, Jeffrey Louis. “Gatsby’s Pristine Dream: The Diminishment of the Self-Made Man in the Tribal Twenties.” NOVEL 28.1 (1994): 52-71.
Slater, Peter Gregg. “Ethnicity in The Great Gatsby.” Twentieth Century Literature 19.1 (1973): 53-62.
Thernstrom, Stephan and Abigail Thernstrom. America in Black and White: One Nation, Indivisible. New York: Simon & Schuster, 1997.
|
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第8週 |
|
Forter, Greg. “F. Scott Fitzgerald, Modernist Studies, and the Fin-de-Siècle Crisis in Masculinity.” American Literature 78. 2 (2006): 293-323.
------. Gender, Race, and Mourning in American Modernism. Cambridge, UK; New York: Cambridge University Press, 2011.
|
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第9週 |
|
Onderdonk, Todd. “‘Bitched’: Feminization, Identity, and the Hemingwayesque in The Sun Also Rises.” Twentieth Century Literature 52.1 (2006): 61-91.
------. I, Modernist: Male Feminization and the Self-Construction of Authorship in the Modern American Novel. The University of Texas at Austin, 2005. Texas: ProQuest Dissertations & Theses A&I. Web. 20 Mar. 2012.
|
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第10週 |
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Chang, Hsiao-ling. Racial and Sexual Others in F. Scottt Fitzgerald’s The Great Gatsby. MA Thesis, NTU, 2003.
Reynolds, Michael S. “The Sun in Its Time: Recovering the Historical Context.” New Essays on The Sun Also Rises. Ed. Linda Wagner-Martin. Cambridge: Cambridge UP, 1987.43-64.
|
|
第11週 |
|
Evans, Nicholas M. “F. Scott Fitzgerald and the Instabilities of Whiteness.” Writing Jazz: Race, Nationalism, and Modern Culture in the 1920s. New York: Garland, 2000. 147-202.
Gidley, M. “Notes on F. Scott Fitzgerald and the Passing of the Great Race.” Journal of American Studies 7:2 (1973). 171-181.
Goldsmith, Meredith. “White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby.” Modern Fiction Studies 49.3 (2003): 443-68.
|
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第12週 |
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Blackmore, David. “‘In New York It’d Mean I Was A…’: Masculinity Anxiety and Period Discourses of Sexuality in The Sun Also Rises.” The Hemingway Review 18.1 (1998): 49-67.
Elliott, Ira. “Performance Art: Jake Barns and ‘Masculine’ Signification in The Sun Also Rises.” American Literature 67.1 (1995): 77-94.
Churchwell, Sarah. “‘$4000 A Screw’: The Prostituted Art of F. Scott Fitzgerald and Ernest Hemingway.” European Journal Of American Culture 24.2 (2005): 105-129. Academic Search Complete. Web. 22 Mar. 2012.
Djos, Matts. “Alcoholism in Ernest Hemingway’s The Sun Also Rises: A Wine and Roses Perspective on the Lost Generation.” The Hemingway Review 14.2 (1995): 64-78. |
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第13週 |
|
Holcomb, Gary Edward. “The Sun Also Rises in Queer Black Harlem: Hemingway and McKay’s Modernist Intertext.” Journal of Modern Literature 30.4 (2007): 61-81.
Kaye, Jeremy. “The ‘Whine’ of Jewish Manhood: Re-Reading Hemingway’s Anti-Semitism, Reimagining Robert Cohn.” The Hemingway Review 25.2 (2006): 44-60.
Traber, Daniel S. “One of None: Quasi-Hybridity in The Sun Also Rises.” Whiteness, Otherness, and the Individualism Paradox from Huck to Punk. New York: Palgrave Macmillan, 2007. 61-84.
Svoboda, Frederic J. “Who Was That Black Man?: A Note on Eugene Bullard and The Sun Also Rises.” The Hemingway Review 17.2 (1998): 105-110.
|
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第14週 |
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Nies, Betsy L. “Hemingway, Eugenic Terror, and the ‘Newest New Women’.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 45-66.
------. “Fitzgerald, Nordicism, and Racial Nostalgia.” Eugenic Fantasies: Racial Ideology in the literature and Popular Culture of the 1920s. New York: Routledge, 2002. 87-109.
|
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第15週 |
|
Morrison, Toni. “Rootedness: The Ancestor as Foundation.” Black Women Writers (1950-1980): A Critical Evaluation. Ed. Mare Evans. Garden City, New York: Anchor Press, 1984. 339-345.
------. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge; MA: Harvard University Press, 1992.
|
|
第16週 |
|
Pici, Nicholas F. “Trading Meanings: The Breath of Music in Toni Morrison’s Jazz.” Connotations 7.3 (1997): 372-398.
Barnes, Deborah H. “Movin’ on up: The Madness of Migration in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York and London: Garland, 2000. 283-95.
Liao, Li-ya. From Rupture to Reconnection: Migration, Memory, and Culture in Toni Morrison’s Jazz. MA Thesis, NTU, 2003.
Schreiber, Evelyn Jaffe. “Searching for Safety: the Persistence of Slave Trauma in Jazz and Tar Baby.” Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press, 2010.
|
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